Ambiguity in information, information in ambiguity: this series conjures evidence of a digitized, denatured habitat.

5th Avenue, Manhattan — Denatured (2023-01-25 10.10.13_11x34), 2023
Denatured (2023-01-25 10.08.39_11x34), 2023
2022-02-13 15.52.44-2x2650px
Denatured (2022-02-13-15.52.44-2), 2022
Denatured (car hood, Clinton Hill ), 2020
Denatured (2019-12-23-10.36.47), 2019
Denatured (2019-12-25-14.19.47), 2019
2021-04-24 11.25.34-1
Park Ave, Manhattan — Untitled (2021-04-11-08.30.54-1), 2021
Central Park, Manhattan — Untitled (2017-05-28-17.12.32), 2017
2021-04-11 08.34.44
Magnolia, Gates Ave — Untitled (2021-04-11-08.34.44), 2021
Untitled (2020-03-29-00.15.52), 2020
Untitled (2020-03-29-00.14.35-1-1), 2020
2021-04-11 08.30.54-1
Gateway Triangle, Clinton Hill Brooklyn — Untitled (2021-04-11-08.30.54-1), 2021
34th Street — Untitled (2019-04-10-14.49.47-1), 2019
34th Street — Untitled (2019-04-10-14.45.26-1), 2019
Bleecker Playground, Manhattan — Untitled (2015-04-30-08.57.21), 2015
Tulips, Abingdon Square, Manhattan — Untitled (2015-05-04-18.53.24), 2015
Abingdon Square, Manhattan — Untitled (2014-09-16-18.34.51), 2014
France, train to Cahors — Untitled (2016-08-29-12.02.23), 2016
Penn South garden, Manhattan — Untitled (2017-07-10-16.39.31-2), 2017

Agitation, disruption, similarity and difference: It’s a game of concentration to recognize uniqueness in the midst of patterns and seeming repetition.

In practice, these are motion studies in so far as I’m keeping the digital camera moving while it records a still image— like a waiter carrying a tray. Without looking at the screen, I facilitate the interaction of sensor, photon, pixel, and software and wherever it’s pointed I develop a general idea of what the outcome will look like.  It’s gestural photography harvesting data. The sole intervention is in the camera’s changing position—it’s constantly shifting its point of view.