Ambiguity in information and information in ambiguity.
Two questions drive my work: how to explore social concerns through art and collaborate with a medium. Let a twist be an expansion.
With photography and digital media, I’ve examined a range of themes—gender, advertising, the internet and social media, environmental, cultural, and social issues—all through challenging a process, conceptual groundwork, engaging chance and error, and pattern matching.
My undergraduate degree is a Bachelors of Science in Art, owing to three years I spent studying chemistry, physics, math, etc. in a pharmacology program before turning to art.
In 1988-89, I attended the Whitney Museum Independent Study Program, working primarily in photography. I was very fortunate in 1994 to join the team at ada’web, a digital foundry commissioning artists to use the web as a medium. It became my medium, too. In the early 2000’s, my exhibition train derailed though I continued to produce work in that interstitial time spent getting from A to B, here to there. Here’s to getting back on track.
@involvebias is an anagram of Vivian Selbo.
In the course of figuring out what to write here, I toyed around making templates like this.
Reflecting on the relationship between ___, ___, ___, and ___, [name]’s work asks how the ___ and visual ___, along with ___ and ___, serve as forms of both ___ and ___.
Walid Raad has a much better rendition.
