Untitled (2022-04-06 13.01.34 after Vestal Virgin Tuccia ), 2022, edition of 5 with two AP at 13″ x 13″ image on 13″ x 19″ paper, unframed
An approach to studying body language in ancient Greek and Roman Sculpture: —steep in antiquity —shift point of view, continuously —embrace chance, constantly —indulge mistakes, repeatedly —render photons as bytes —sort for innuendo, and —serve as extended-play stills*
Untitled (2015-12-12-13.43.01, after Ugolino and his sons), 2015, edition of 5, two AP, at 13″ x 36″, unframed
These subjects are viewed from more than one side. A panorama made while walking compiles multiple moments and changing perspectives into one image—an extended-play still.
Untitled (2015-12-12-13.55.04-1 after Marsyas), 2015, edition of 5 at 11″ x 11″ unframed
Untitled (2016-01-09-14.44.04 after Young Woman from a funerary statue) 2016, edition of 5 at 11″ x 11″ unframed
Untitled (2016-01-09 13.12.10-1 after Three Muses), 2016, edition of 5, two AP, at 10.5″ x 17.25″ unframedUntitled (2016-01-09 14.17.14 after male torso) 2016, edition of 5, two AP, at 11″ x 11″ unframedUntitled (2022-04-03 12.15.41 after Iphigenia and Orestes), 2022, edition of 5, two AP, at 13″ x 19″ unframed
Untitled (2022-01-15 14.51.11 after Madame His) 2022, edition to come, 11″ x 11″ unframed
Untitled (2015-12-12 14.07.48 after La Capresse des Colonies) 2015, edition to come, 11″ x 11″ unframed
Untitled (2016-12-29-15.03.31-2 unknown) 2016, edition to come, 11″ x 11″ unframed
Untitled (2016-02-13 14.23.04 after California) 2016, edition of 5, two AP, at 13″ x 19″ unframedUntitled (2022-04-02 15.35.53 after Allegory of the Nile) 2022, edition and dimensions to come Untitled (2022-04-06 13.18.45) 2022, edition of 5, two AP, at 13″ x 19″ unframed
