{"id":636,"date":"2019-02-09T19:04:22","date_gmt":"2019-02-09T19:04:22","guid":{"rendered":"https:\/\/cavil.com\/involvebias\/?page_id=636"},"modified":"2025-04-09T00:00:47","modified_gmt":"2025-04-09T00:00:47","slug":"sculpture","status":"publish","type":"page","link":"https:\/\/cavil.com\/involvebias\/work\/sculpture\/","title":{"rendered":"In the Museum"},"content":{"rendered":"\n
\"2022-04-06
Untitled (2022-04-06 13.01.34 after Vestal Virgin Tuccia ), 2022, edition of 5 with two AP at 13″ x 13″ image on 13″ x 19″ paper, unframed<\/figcaption><\/figure>\n\n\n\n

An approach to studying body language in ancient Greek and Roman Sculpture:
\u2014steep in antiquity
\u2014shift point of view, continuously
\u2014embrace chance, constantly
\u2014indulge mistakes, repeatedly
\u2014render photons as bytes
\u2014sort for innuendo, and
\u2014serve as extended-play stills<\/a>*<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"2015-12-12
Untitled (2015-12-12-13.43.01, after Ugolino and his sons), 2015, edition of 5, two AP, at 13″ x 36″, unframed<\/figcaption><\/figure>\n\n\n\n

These subjects are viewed from more than one side. A panorama made while walking compiles multiple moments and changing perspectives into one image\u2014an extended-play still<\/em>. <\/p>\n\n\n\n

\n
\n
\"2015-12-12
Untitled (2015-12-12-13.55.04-1 after Marsyas), 2015, edition of 5 at 11″ x 11″ unframed<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Untitled (2016-01-09-14.44.04 after Young Woman from a funerary statue) 2016, edition of 5 at 11″ x 11″ unframed<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\"2016-01-09
Untitled (2016-01-09 13.12.10-1 after Three Muses), 2016, edition of 5, two AP, at 10.5″ x 17.25″ unframed<\/figcaption><\/figure>\n\n\n\n
\"2016-01-09
Untitled (2016-01-09 14.17.14 after male torso) 2016, edition of 5, two AP, at 11″ x 11″ unframed<\/figcaption><\/figure>\n\n\n\n
\"2022-04-03
Untitled (2022-04-03 12.15.41 after Iphigenia and Orestes), 2022, edition of 5, two AP, at 13″ x 19″ unframed<\/figcaption><\/figure>\n\n\n\n
\n
\n
\"2022-01-15
Untitled (2022-01-15 14.51.11 after Madame His) 2022, edition to come, 11″ x 11″ unframed<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"2015-12-12
Untitled (2015-12-12 14.07.48 after La Capresse des Colonies) 2015, edition to come, 11″ x 11″ unframed<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"In
Untitled (2016-12-29-15.03.31-2 unknown) 2016, edition to come, 11″ x 11″ unframed<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\"2016-02-13
Untitled (2016-02-13 14.23.04 after California) 2016, edition of 5, two AP, at 13″ x 19″ unframed<\/figcaption><\/figure>\n\n\n\n
\"2022-04-02
Untitled (2022-04-02 15.35.53 after Allegory of the Nile) 2022, edition and dimensions to come <\/figcaption><\/figure>\n\n\n\n
\"2022-04-06
Untitled (2022-04-06 13.18.45) 2022, edition of 5, two AP, at 13″ x 19″ unframed<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

An approach to studying body language in ancient Greek and Roman Sculpture: \u2014steep in antiquity\u2014shift point of view, continuously \u2014embrace chance, constantly\u2014indulge mistakes, repeatedly\u2014render photons as bytes\u2014sort for innuendo, and\u2014serve as extended-play stills* These subjects are viewed from more than one side. A panorama made while walking compiles multiple moments and changing perspectives into one […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":910,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-636","page","type-page","status-publish","hentry","missing-thumbnail"],"_links":{"self":[{"href":"https:\/\/cavil.com\/involvebias\/wp-json\/wp\/v2\/pages\/636","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cavil.com\/involvebias\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cavil.com\/involvebias\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cavil.com\/involvebias\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cavil.com\/involvebias\/wp-json\/wp\/v2\/comments?post=636"}],"version-history":[{"count":10,"href":"https:\/\/cavil.com\/involvebias\/wp-json\/wp\/v2\/pages\/636\/revisions"}],"predecessor-version":[{"id":7312,"href":"https:\/\/cavil.com\/involvebias\/wp-json\/wp\/v2\/pages\/636\/revisions\/7312"}],"up":[{"embeddable":true,"href":"https:\/\/cavil.com\/involvebias\/wp-json\/wp\/v2\/pages\/910"}],"wp:attachment":[{"href":"https:\/\/cavil.com\/involvebias\/wp-json\/wp\/v2\/media?parent=636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}